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A riveting historical narrative of the heart-stopping events surrounding the assassination of Abraham Lincoln, and the first work of history from mega-bestselling author Bill O’Reilly
The anchor of The O’Reilly Factor recounts one of the most dramatic stories in American history—how one gunshot changed the country forever. In the spring of 1865, the bloody saga of America’s Civil War finally comes to an end after a series of increasingly harrowing battles. President Abraham Lincoln’s generous terms for Robert E. Lee’s surrender are devised to fulfill Lincoln’s dream of healing a divided nation, with the former Confederates allowed to reintegrate into American society. But one man and his band of murderous accomplices, perhaps reaching into the highest ranks of the U.S. government, are not appeased.
In the midst of the patriotic celebrations in Washington D.C., John Wilkes Booth—charismatic ladies’ man and impenitent racist—murders Abraham Lincoln at Ford’s Theatre. A furious manhunt ensues and Booth immediately becomes the country’s most wanted fugitive. Lafayette C. Baker, a smart but shifty New York detective and former Union spy, unravels the string of clues leading to Booth, while federal forces track his accomplices. The thrilling chase ends in a fiery shootout and a series of court-ordered executions—including that of the first woman ever executed by the U.S. government, Mary Surratt. Featuring some of history’s most remarkable figures, vivid detail, and page-turning action, Killing Lincoln is history that reads like a thriller.
“The raw and unforgettable narrative of the making of our country’s record-holding sniper, Chris Kyle’s memoir is a powerful book, both in terms of combat action and human drama. Chief Kyle is a true American warrior down to the bone, the Carlos Hathcock of a new generation.”
He is the deadliest American sniper ever, called “the devil” by the enemies he hunted and “the legend” by his Navy SEAL brothers . . .
From 1999 to 2009, U.S. Navy SEAL Chris Kyle recorded the most career sniper kills in United States military history. The Pentagon has officially confirmed more than 150 of Kyles kills (the previous American record was 109), but it has declined to verify the astonishing total number for this book. Iraqi insurgents feared Kyle so much they named him al-Shaitan (“the devil”) and placed a bounty on his head. Kyle earned legendary status among his fellow SEALs, Marines, and U.S. Army soldiers, whom he protected with deadly accuracy from rooftops and stealth positions. Gripping and unforgettable, Kyle’s masterful account of his extraordinary battlefield experiences ranks as one of the great war memoirs of all time.
A native Texan who learned to shoot on childhood hunting trips with his father, Kyle was a champion saddle-bronc rider prior to joining the Navy. After 9/11, he was thrust onto the front lines of the War on Terror, and soon found his calling as a world-class sniper who performed best under fire. He recorded a personal-record 2,100-yard kill shot outside Baghdad; in Fallujah, Kyle braved heavy fire to rescue a group of Marines trapped on a street; in Ramadi, he stared down insurgents with his pistol in close combat. Kyle talks honestly about the pain of war—of twice being shot and experiencing the tragic deaths of two close friends.
American Sniper also honors Kyles fellow warriors, who raised hell on and off the battlefield. And in moving first-person accounts throughout, Kyles wife, Taya, speaks openly about the strains of war on their marriage and children, as well as on Chris.
Adrenaline-charged and deeply personal, American Sniper is a thrilling eyewitness account of war that only one man could tell.
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In writing about such a troubled time in American history, Southern-born Stockett takes a big risk, one that paid off enormously. Critics praised Stockett’s skillful depiction of the ironies and hypocrisies that defined an era, without resorting to depressing or controversial clich√©s. Rather, Stockett focuses on the fascinating and complex relationships between vastly different members of a household. Additionally, reviewers loved (and loathed) Stockett’s three-dimensional characters—and cheered and hissed their favorites to the end. Several critics questioned Stockett’s decision to use a heavy dialect solely for the black characters. Overall, however, The Help is a compassionate, original story, as well as an excellent choice for book groups.